[3][4] With the company, he has directed dramatic works by poet-playwrights Yehuda Amichai,[5] Thomas Bernhard,[6] Jon Fosse,[7] Claude Gauvreau,[3] Luigi Pirandello,[8] as well as his own plays, which include reinterpretations of classic material.

[17] Beginning with the 2010 publication of Every Day in the Morning (slow),[18] Seelig's writing combines aspects of the contemporary lyric with the appearance of concrete poetry.

[19] Written largely in the second person, Every Day in the Morning (slow) eschews punctuation, forming a single sentence that is at the same time a "continuous concrete-lyric-drop-poem novella.

[31] Music also plays a key role in Seelig's "drop-poem novella" Every Day in the Morning (slow), with particular emphasis on minimalist composers such as Steve Reich.

[46][47] As an undergraduate at Stanford University, Seelig studied English Literature with John Felstiner, Marjorie Perloff and Gilbert Sorrentino, and Theatre with Carl Weber, completing a BA in 1998 with a thesis on Samuel Beckett's original manuscripts[48] in addition to writing and directing an early play entitled Inside the Whale (named after the essay by George Orwell).