The work is signed Stefanus in golden letters at the bottom center, and dated, although the reading of this has been disputed by several scholars.

The three Magi have different stances: the eldest has removed is crown and is kneeling; he is donating an elaborated golden object to the Child, who stretches his hands to accept it and bless him.

The mature Magus is portrayed while putting down his crown and a gilt casket in the left hand; the youngest is observing the scene from behind.

The rich harnesses and the fanciful hats of the members of the procession resemble similar elements work by Pisanello, who was a friend of Stefano da Verona, and is thus inspired by the dresses of the Byzantine court at the Council of Basel in 1431.

The peacock on the hut's top is an early Christian symbol of resurrection and immortality, as, since Roman times, his flesh was deemed not to be prone to rotting.