He possessed a powerful, firm and exceptionally beautiful voice which garnered him the nickname the "French Tamagno" in comparison to the great Italian tenor.
[citation needed] He remained a leading tenor at that opera house for the next 20 years, portraying such roles as Arnold Melchtal in William Tell, Belmonte in Die Entführung aus dem Serail, the Duke of Mantua in Rigoletto, Eléazar in La Juive, Fernand in La favorite, Jean de Leyde in Le prophète, Radames in Aida, Raoul de Nangis in Les Huguenots, Renaud in Gluck's Armide, Vasco da Gama in L'Africaine, and the title roles in Lohengrin and Sigurd.
[1] He created the role of the Touranien prisoner in the world premiere of Jules Massenet's Le mage in 1891.
He recorded extensively for Pathé, including the roles of Don José in Georges Bizet's Carmen (1911) and Roméo in Gounod's Roméo et Juliette (1912) in the company's "Le Théâtre chez soi" ("Your Theater at Home") full-length opera and drama series.
He became director of the French Opera House in New Orleans in 1913 when it came under the ownership of Tulane University, remaining there until 1915.