El-Fadel Said Dirar Silntout was born in 1935 and grew up in a religious environment in the Ghaddar village [ar] near Dongola, the capital of the Northern State.

The climates he lived in were free to attract and pull him, as he did not discover the queen of acting except when he had the opportunity when the family moved from the Bayt al-Mal [ar] neighbourhood to Wad Nubawi in Omdurman.

[4][5] In elementary school, he found a follower of Professor Khaled Abu Al-Rous, who taught him arithmetic, and watched him with the Sudan Acting Troupe.

[8] After that, theatrical works followed, such as (the play Alfi Raso Rish) and (the play of people in what they do) and many television works such as the series (Ramadaniyat) and the series (Death of the Dhan), in addition to the characters entrenched in the public's mind, "Al-Ajab Amo" and "Bit Qadim" and " Kratop..[3][9] Al-Fadil Saeed also enjoyed the talent for poetry, and he has a collection of poetry in the name of Agharidy, and The Theater of Words has not yet been published.

He collaborated with the late artist Muhammad Ahmed Awad in the songs "My Father, Why Don't You Say No", "Al-Boustajy" and "I Hit a Phone".

The story of the song "My Father Don't Say Why No" goes back to the travel of Al-Fadil Saeed on an artistic trip by train to the city of Port Sudan with the artists Ibrahim Awad, Salah Muhammad Issa and Muhammad Ahmed Awad, and he accompanied them to present comic links during the singing breaks, and during the trip, Al-Fadil Saeed sang a poem, Raja, and he was suffering at the time From an emotional and psychological crisis after he proposed to his wife, Hosni Al-Muddathir, and was rejected by her family because he is an actor before they agreed after that, and after performing the song, she found admiration from everyone, especially from the artist Mohamed Ahmed Awad, who sang it after that, and it became one of the most famous songs.

[5][6] He was one of the first founders of the youth troupe for comedy representation, and he dreamed until the end of his days of the theatre of Al-Fadil Saeed, and throughout this artistic stage he was closely related to his audience in the regions, who wanted the will of the Lord to conclude his artistic life in a city dear to him, which is the beloved Red Mermaid, Port Sudan.

[9] He started his artistic career when he was eighteen, and he was the star in hundreds of comedy plays that he performed in theatres in Khartoum and other Sudanese cities.

Al-Fadil Saeed passed away on Friday 10/6/2005 in the city of Port Sudan on the Red Sea, where he was presenting his latest plays.

Dr Saad Youssef highlighted Al-Fadil's unique theatre, his advocacy for women, and his contribution to radio, TV, and cinema.

Actor Sayed Abdullah Sousal recognized Al-Fadil as a global phenomenon at risk of being forgotten due to poor documentation.

Heba Mohamed Salih stressed Al-Fadil's distinctive improvisational style, considering it a valuable heritage for future generations.