Albert's son Patrick (1942–1994) and his wife, Taeko Kuwata (1945–1994), formed the classical piano Duo Crommelynck, which was active from 1974 until July 9–10, 1994, when both performers committed suicide.

Soon, Atelier Crommelynck began to attract stellar clients; Miró, Le Corbusier, Jean Arp, and Alberto Giacometti came to work in the studio.

[10] There Georges Braque created a series of etchings and aquatints titled L'Ordre des Oiseaux (The Order of Birds), which was published in 1962, accompanying poetry by Saint-John Perse.

Among these were illustrations for a version of Fernand's Le Cocu magnifique,[12] and the Series 347 (1968), whose erotic images created a furor when they were exhibited simultaneously in Paris and Chicago in 1968.

[10] From 1973 to 1976 Crommelynck collaborated closely with Hockney, instructing him in a number of etching techniques, including sugar lift and especially the use of wooden frames in multicolor prints.

From 23 April until 17 June 2007, the Bibliothèque sponsored an exhibition, Aldo et moi, of prints selected from this set,[20] and published a book which includes these images.

[10] In the early 1980s, Dine made a series of drawings, prints, and paintings that referred to the ornate iron gate at the entrance to Atelier Crommelynck at 172 rue de Grenelle, Paris.

[23] In 2009, after Crommelynck's death, Enitharmon Press published a deluxe edition of Dine's reminiscences, Talking About Aldo, which includes a signed portrait etching.