He was the bassist in Đorđe Balašević's band for several years and subsequently became a prominent member of the League of Social Democrats of Vojvodina (LSV), serving in government at the provincial and municipal levels.
[1] He became an established bassist in Novi Sad in the mid-1970s, working with the Kvintet Voje Brkovića and initially playing in a jazz rock style influenced by Miles Davis and John McLaughlin.
He was later a member of the prominent punk and new wave groups Laboratorija Zvuka, and Pekinška Patka, performed in Rani Mraz with Đorđe Balašević, and worked with Mitar Subotić and Marina Perazić.
[citation needed] Kravić has also written music (one of his songs was performed by Arsen Dedić) and sang vocals on his composition "Plavo nebo, zlatno žito" at the 2012 Zlatna tamburica festival.
This coalition won a landslide victory in the provincial contest with 101 out of 120 seats; Kravić was among the DOS candidates elected, winning in Novi Sad's eighth district.
[5] The following month, he argued that the affiliated Radio Television of Serbia (RTS) would need to be decentralized in a manner consistent with a broader strategy of increased regional autonomy.
[11] In February 2004, he said that the LSV and Democratic Party had resolved their differences over the wording of a proposed Basic Law of Vojvodina and that the province would proceed with this document even if the Serbian government had not yet completed its revisions of the country's constitution.
[13] Prior to the 2016 election, Vojvodina's constituency seats were abolished and the province adopted a system of pure proportional representation; Kravić appeared on the LSV's electoral list but not in a high enough position to return to the assembly.