Scriabine's Tenth Sonata (the last composed), a most difficult work of account of its complexity and theosophical spirit, was performed by Borowski at his recital with rarely deep analysis, glowing with fire progressively in a climax.

"One of the chosen, musically speaking of course, is the Russian pianist, Alexander Borowsky, who is certainly a rising star in the tonal heavens.

After winning fame here as a pianist of widely diversified programs, Borovsky returned to Europe where, in 1937, he first devoted himself almost exclusively to presenting the works of Johann Sebastian Bach.

At the outbreak of the war, Mr. Borovsky first went to South America, where he continued his Bach cycles—the first such recitals ever to be presented in many of the Latin-American capitals—and where he earned fresh laurels.

He gave live Bach evenings in Buenos Aires, with marked acclaim, and, as a result, was invited to repeat his performances under the auspices of the Cutura Artistica of São Paulo, in Brazil.

Deciding to leave Russia after the October Revolution, he started touring in Europe and eventually made his American debut in Carnegie Hall in 1923.

Braudo, Makovsky, and Bryanchanimov, and the performance of the later works and also of some posthumous pieces has been in the hands of Borovsky's pianoforte music.

"[5] In 1926 Borowski writes in Modern Masters of the Keyboard by Harriette Brower, Yes I have a very large repertoire and am constantly adding to it.

But now, after our two happy months, Madame and I are on the point of returning to Europe, as I have a tour of forty concerts on the other side, which will take me to London, Paris, Spain, Italy, Belgium, Holland and Germany.