Mohr commenced his formal artistic instruction in 1905 in Koblenz, Germany under the tutelage of German expressionist William Straube (1871–1954), who was a student of Henri Matisse.
Later that year Mohr transitioned to Berlin where he became a member of the expressionist November Group and developed an acquaintance with art-handlers Alfred Flechtheim and Wilhelm Uhde.
Through his acquaintance with expressionist Max Jacob, Mohr gained access to Pablo Picasso, with further references from his author friend Joseph Breitbach.
Many believe that Mohr's finest expressionist paintings were executed during his Paris years and represented bucolic, mythological scenes influenced by the writings of Virgil, Horace and Ovid as the three canonical poets of Latin literature.
(Elsa's uncle was investment banker Otto Kahn (1867–1934) who built a 127-room mansion on Long Island, the second largest private residence in the United States, after George Vanderbilt's Biltmore Estate in Asheville, North Carolina.)
From 1950 to 1953, Mohr once again migrated to Paris and worked from a studio provided by the Schlumberger family and remained in close contact with his friend Joseph Breitbach.