Alfred Gescheidt

[2] After completing his required year of military service, Gescheidt enrolled at the University of New Mexico in Albuquerque, where he studied with Raymond Jonson.

In 1949, having decided to become a photographer, he transferred to the Art Center School in Los Angeles, where he studied commercial photography with Will Connell and George Hoyningen-Huene.

[7] His work appeared on record album and book covers, calendars, posters, greeting cards and postcards, and in many newspapers and magazines, including Colliers, Cue, Esquire, Ladies Home Journal, Life, Look, Mademoiselle, Modern Photography, The National Enquirer, New York, Newsweek, Omni, Pageant, Parade, People, Popular Photography, Saturday Evening Post, The National Star, The New York Times, This Week, and Time, among others.

The photographs, which display what The New Yorker called "Gescheidt's poster-ready Pop surrealism", delivering a "bracingly vulgar, subversive punch", were shown at the New York gallery Higher Pictures in 2013.

[8] Among his most successful posters was "Ronbo", published in 1985, which combined the head of a smiling President Ronald Reagan with the body of the movie character Rambo.

[11] Howard Chapnick of the Black Star photo agency characterized him as a practitioner of "surrealistic photography", and as such superior to Man Ray for his "ingenuity, madness, outrageousness and humour".

Alfred Gescheidt 1952