All My Life (1966 film)

The film ends after the camera angles upward to show a horizontal telephone wire and, finally, a blue sky.

Baillie had been admiring the quality of the sunlight, and while driving back down to San Francisco on the second day, he insisted on stopping so he could film.

Having only one roll of outdated Ansco 16 mm film to use, Baillie practiced the timing first and had a friend call out the minutes as they passed.

[7] P. Adams Sitney identified it as an early example of what he termed structural film, in particular for its monomorphic form and its emphasis on the mechanics of filmmaking tools.

[8] Filmmaker Chris Welsby remarked that "it has taken me, quite literally, all my life so far to truly appreciate the simple elegant beauty of this cinematic gem.