"[4] At Jesus Freak Hideout, Jen Rose believed that "the songs are arranged and produced well, capturing the energy of the live show in a way that sounds like all the people involved are truly enjoying themselves.

"[6] Furthermore, Davis evoked that "this album provides listeners with thirteen tracks that seek to give a voice to humanity's acceptance of God's love in any circumstance", and that "Matt Maher's enthusiastic and reverent style of writing and singing praise and worship songs has consistently been a draw for me.

"[6] The Phantom Tollbooth's Michael Dalton found that "though there are intimate moments with appropriate reverence, much of this has an air of boldness and confidence", and this is due to the "muscular backing from a band that rocks and an exuberant audience make it a boisterous affair.

"[8] In doing so, Furbeck said this happened "with relevant and inspired lyric writing, and obvious passion for the Gospel, this multi-faceted, album offers songs of praise and worship, messages of hope, and heart-felt cries to the Lord.

"[9] Lastly, Thom Jurek of Allmusic told that "for a contemporary Christian recording, the live material is uncharacteristically loose and raw, giving the proceedings a kinetic feel and sense of immediacy".

At Worship Leader, Furbeck proclaimed that the release is "the apex of Matt Maher's considerable musical expression to date", and found the album contained "a gift of songs for the Church of today".

"[7] Cross Rhythms' Curry told that "to shoehorn four new studio recordings into the package make for an oddly uneven listen", and that "had this been a four-track EP of new material it may have achieved nine or 10 squares.