Alonso Berruguete

His family, however, chose the law for his profession and obtained for him an official position at Valladolid, the title of which he held for years, probably long after he had devoted himself to art.

[2] Following his father's death in 1504, Berruguete travelled to Italy to continue his study of art, spending most of his time in Florence and Rome.

His paintings produced in Italy showed a mannerist influence, with his art being compared with contemporaries such as Jacopo Pontormo and Rosso Fiorentino.

[1][3] After his training in Italy he went back to the Spanish tradition of making wood sculptures, which included the altarpieces at the church of San Benito el Real, Valladolid.

From October 13, 2019 – February 17, 2020, over 40 of Berruguete's painted wood sculptures were on display in the National Gallery of Art, Washington, D.C. as part of an exhibition titled Alonso Berruguette: First Sculptor of Renaissance Spain.

Salome by Alonso Berruguete (1512–16), in the Uffizi Gallery in Florence