She was Master Printer at the New York Printmaking Workshop, and, in 1981 and 1983, University of California, Davis, Visiting Professor.
[2][3] In 2019 she moved to Margate where she continues to work, is active in the local art community as well as living close to daughter Amy and her grandchildren.
In 1971 she started making prints with an unusual technique that combined etching and photography, whereby a printing plate is created from a photograph and the plate worked on to alter the contrast, making use of the K.P.R.
[1] Her print, For the Glory of the Empire, made using this process, juxtaposes two 19th-century architectural features, the Albert Memorial and the terraced house as contrasting features of the legacy of the British Empire.
Three landscape etchings 1972–72, including ones of Kent Road and Romney Marsh, were acquired for the British Government Art Collection.