[3] At the age of 17, Courtin-Wilson won the Longford Nova Award at the 1996 St Kilda Film Festival for his co-directed half-hour documentary Almost 18.

At 19, Courtin-Wilson wrote, directed and produced his debut feature documentary Chasing Buddha, about his aunt Robina Courtin, a Buddhist nun.

[6] Courtin-Wilson's co-directed documentary Islands, about second-generation Samoan Australians, premiered at the Museum of Natural History, New York.

In 2008 Amiel formed a Melbourne-based production entity called Flood Projects, with the aim of fostering "collectivist and artist-driven film making practice in Australia".

[15] Amiel’s debut feature documentary film Chasing Buddha follows Australian ex-Catholic, ex-political activist and feminist Robina Courtin.

The Silent Eye was commissioned by the Whitney Museum of American Art and curated by Jay Sanders and Lawrence Kumpf.

[26] Warm Blood (2022) is a narrative feature film directed by Rick Charnoski co-written and produced by Amiel Courtin-Wilson.

Warm Blood is set in the underbelly on 1980s Modesto, California and uses the real-life diary of a teenage runaway named Red returning home to find her father.

Shot on 16mm by Christopher Blauvelt, Warm Blood is a politically subversive, raw, searing collage of sound, narrative, documentary, and trash B movie meta-narratives, which paints an evocative portrait of an underseen American underclass.

Representing a collection of expanded fragments assembled over 17 years of filmmaking in the US, the exhibition comprises moving image installation, audio recordings and diagrammatic endeavours to find new graphic representations of cinematic structure.

The Silent Eye was commissioned by the Whitney Museum of American Art and curated by Jay Sanders and Lawrence Kumpf.

[42] Exquisite Corpse (2018) is a collaborative VR work created by BADFAITH, a VR collective consisting of Courtin-Wilson and Luci Schroder, Shaun Gladwell, video artist Daniel Crooks, Indigenous artist Tony Albert, Samantha Matthews, Natasha Pincus, and writer and futurist Dr Jordan Nguyen.

The project included a new film by Courtin Wilson in Melbourne, a reading by Philippe Parreno in Berlin, and a concert by Scott McCulloch in Tbilisi.