In 1979, he published his first collection of poetry Madih li-Maqha Akhar, in which Iraqi poet Saadi Yousef wrote the preface.
In another collection Murtaqa al anfas (the heyday of breath), published in 1997, he developed a way to both panoramic, lyrical and epic tragedy of Abu Abdullah As-Saghir, the last Arabic king in Andalusia .
In his last poetic work Hayatun sardin mutaqatta'in ka (life as an intermittent narrative) published in 2004, Amjad Nasser took a new path in prose poetry in Arabic.
It pushed the boundaries of narrative poetry unprecedented, but without watering down the poem of his poetic charge buried deep in the text.
But Amjad Nasser's approach in this work remains as a new aesthetic inspiration that would commit the controversy in an Arab poetic context almost devoid of any debate on the issues of form and content.
This has been prepared by the Lebanese poet and critic Abbas Beydoun, in his dialogue with Amjad Nasser after the publication of the collection in question.
About his experience, it is reported there are a number of testimonials written by critics and Arab poets, such as Adunis, Subhi Hadidi, Hatem al-Sakr, Kamal Abu-Deeb, Sabry Hafez, Abbas Beydoun Hussein Bin Hamza, Rashid Yahyaoui, Qassim Haddad, Fakhri Saleh, Mohammad Ali Shams al-Din, Shawqi Bzi Mohsen Jassim al-Moussawi, Raja Ben Slama, Fathi Abdallah and Hilmi Salim.
Some of his stories were published in two special issues of the magazine Al-Palestinian shou'ara (Poets) and in the journal Jordanian Afkar (Ideas), which had allowed his poetic experience to confirm.