[7] Anime News Network's Carlo Santos commends the manga with its "deceptive leads and clues" and "calm, down-to-earth portrayal of home and school".

However, he criticizes that Kohane's use of "careful shading, clean linework" serves to hide the "slightly off-kilter character designs and stiff facial expressions.

With regards to the art, Santos commends Kohane for "using lots of hatched lines and ominous shading to create a different era where a supernatural back-story adds new layers to the series" but criticizes him for being inconsistent "when it comes to basic character design and anatomy".

"[10] School Library Journal's Snow Wildsmith commends Kohane's sharp artwork "full of feral smiles and vulpine eyes."

[11] Dacey heavily pans the "source material; as writer Nagaru Tanigawa explains in the afterword to volume one, Amnesia Labyrinth was “based on a story that, while it didn’t have enough to become a full-fledged novel, had been kicking around in my head for years.” He admitted that he had to “dismantle” his original idea and “reinvent the characters”; small wonder that the published version was, by his own admission, filled with “lazy, phantom passages,” vestiges of an earlier story idea.