The Analatos Painter belongs to the transition from Late Geometric to Early Proto-Attic vase painting.
For example, one of his Geometric hydriai depicts a prothesis (laying-out of a body), showing Egyptian influences.
The adoption of eastern influences was a key feature of the subsequent Orientalising Period, of which the Analatos Painter was one of the main early proponents.
Characteristic of this new style were fantastic animals, sphinxes without wings or faces, rows of dancing men or women, cable patterns and rosettes.
His oldest known amphora, now in the Ashmolean Museum shows a row of two-horsed chariots on its belly, as does a loutrophoros in the Louvre and several other pieces.