Anaphora (rhetoric)

Other than the function of emphasizing ideas, the use of anaphora as a rhetorical device adds rhythm to a word as well as making it more pleasurable to read and easier to remember.

It is also used to appeal to the emotions of the audience in order to persuade, inspire, motivate and encourage them.

He makes Lebanon to skip like a calf, and Sirion like a young wild ox.

The voice of the Lord makes the deer give birth and strips the forests bare, and in his temple all cry, "Glory!"

Today, anaphora is seen in many different contexts, including songs, movies, television, political speeches, poetry, and prose.

She's imperfect, but she tries She is good, but she lies She is hard on herself She is broken and won't ask for help She is messy, but she's kind She is lonely most of the time She is all of this mixed up and baked in a beautiful pie She is gone, but she used to be mine For want of a nail the shoe was lost.

With malice toward none; with charity for all; with firmness in the right, ... Out of the cradle endlessly rocking, Out of the mock-bird's throat, the musical shuttle, Out of the Ninth-month midnight, [...] Up from the mystic play of shadows twining and twisting as if they were alive, Out from the patches of briers and blackberries, From the memories of the bird that chanted to me, From your memories, sad brother, from the fitful risings and fallings I heard, From under that yellow half-moon late-risen and swollen as if with tears, From those beginning notes of yearning and love, there in the transparent mist, From the thousand responses of my heart never to cease, From the myriad thence-arous'd words, From the word stronger and more delicious than any, From such as now they start the scene revisiting,...

When I have seen by Time's fell hand defaced The rich proud cost of outworn buried age; When sometime lofty towers I see down-razed And brass eternal slave to mortal rage; When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay; Ruin hath taught me thus to ruminate, That Time will come and take my love away.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way... We shall not flag or fail.

Never shall I forget the little faces of the children, whose bodies I saw turned into wreaths of smoke beneath a silent blue sky.

I have a dream that one day this nation will rise up and live out the true meaning of its creed: 'We hold these truths to be self-evident: that all men are created equal.'

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.

Out of burlap sacks, out of bearing butter, Out of black bean and wet slate bread, Out of the acids of rage, the candor of tar, Out of creosote, gasoline, drive shafts, wooden dollies, They Lion grow.

The second stanza of William Blake's London represents an example of anaphora. This image is a digital reproduction of his hand-painted 1826 print from Copy AA of Songs of Innocence and Experience . The item is currently in the collection of the Fitzwilliam Museum . [ 1 ]