Ancient Indian architecture

The large amount of Indian rock-cut architecture, essentially beginning around 250 BCE, is therefore especially important, as much of it clearly adapts forms from contemporary constructed buildings of which no examples remain.

The urbanization in the Gangetic plains began as early as 1200 BC with the emergence of fortified cities and appearance of Northern Black Polished Ware.

A strongly probable shrine from Upper Paleolithic period dated (9000–8000 BCE) dedicated to worshipping of Goddess (Shakti) made of stone has been discovered at Baghor in the Sidhi district in the Indian state of Madhya Pradesh.

Planned settlements from an early Harappan era with structures parallel to the streets which run perpendicular to each other with public drainage system has been uncovered at the site of Rakhigarhi, one of the biggest urbanized areas of the Indus valley civilization dating back to 4000–3200 BCE.

[8] At Dholavira, possible funerary architecture was found surrounding a dried up lake and consists of tumuli, sometimes resembling hemispherical domes, constructed using mud bricks or stone slabs.

Kitchen were open air situated in a courtyard as well as closed rooms, hearths oval, circular and rectangular in shape were also used in the house, keyhole ovens with central pillars were used for roasting meat or baking breads.

Balathal defense architecture, stone and mud brick residential structures of Ahar Banas,[10] defensive wall is characterised by mud based core having stone revetments with rectangular bastion dated c. 2400–1800 BCE, Sanghol and Rupar of Bara culture are some of the non Harappan chalcolithic urban developments that took place in India as well.

The dressed stones of the palace were set in fine lime and coated with a thick layer of plaster, the entire architecture resembled a fortress with its own walls and towers.

[25][26][27] The initial Jivakarama monastery was formed of two long parallel and oblong halls, large dormitories where the monks could eat and sleep, in conformity with the original regulations of the samgha, without any private cells.

This cross-fertilization between different art streams converging on the subcontinent produced new forms that, while retaining the essence of the past, succeeded in integrating selected elements of the new influences.

In effect, many stupas are thought to date originally from the time of Ashoka, such as Sanchi or Kesariya, where he also erected pillars with his inscriptions, and possibly Bharhut, Amaravati or Dharmarajika in Gandhara.

[30] Ashoka also built the initial Mahabodhi Temple in Bodh Gaya around the Bodhi tree, including masterpieces such as the Diamond throne ("Vajrasana").

[16] Architectural creations of the Mauryan period, such as the city of Pataliputra, the Pillars of Ashoka, are outstanding in their achievements, and often compare favourably with the rest of the world at that time.

[33][34] Around the same time rock-cut architecture began to develop, starting with the already highly sophisticated and state-sponsored Barabar caves in Bihar, personally dedicated by Ashoka c. 250 BCE.

[16] These artificial caves exhibit an amazing level of technical proficiency, the extremely hard granite rock being cut in geometrical fashion and polished to a mirror-like finish.

[41] Ashoka also built the Mahabodhi Temple in Bodh Gaya c. 250 BCE, also a circular structure, in order to protect the Bodhi Tree under which the Buddha had found enlightenment.

[45] It was an apsidal temple built of timber on top of a high rectangular stone platform, 26.52x14x3.35 metres, with two flights of stairs to the east and the west.

[47] This truncated pyramid design also marked the evolution from the aniconic stupa dedicated to the cult of relics, to the iconic temple with multiple images of the Buddha and Bodhisattvas.

The palace had a vast network of underground chambers also called Suranga by Kautilya in his Arthashastra,[51] and the superstructure and the galleries were made on the principle of true arch.

The entire galleries and superstructure were found collapsed under 5 cm thick layer of ash which indicates destruction of the palace through conflagration.

[54] The early evidence of Shikhara type domical crowing structure has been noted in the palatial architecture of Kausambi dated to 1st-2nd century CE.

The theater has a small quadrangular open area enclosed on all four sides by stepped stands which are made of bricks and cladded with limestone.

are probably the only standing fortification ruins from Gupta period which are located in a dense jungle in North Bengal near Indo-Bhutan border.

[58] Many fortified cities like Nalrajar Garh, Bhitagarh had risen in Northeastern India owing to trade activities with southeastern China.

The Hindu temple architecture was characterized by the use of stone as the dominant building material compared to the earlier period in which the burnt bricks were used instead.

[70] The earliest arch appeared in South Asia as a barrel vault in the Late Harappan Cemetery H culture dated 1900 BC-1300 BC which formed the roof of the metal working furnace, the discovery was made by Vats in 1940 during excavation at Harappa.

Excavation of Lal Kot beneath the Purana Qila revealed ruins which was constructed using similar method as in the post-Islamic and Mughal Periods.

Ghoshitaram monastery in Kosambi dating back to 6th-century BCE
Jivakarama vihara monastery. Oblong communal hall (remains), 6th century BCE
Stupas at Piprahwa are some of the earliest surviving stupas.
The Pataliputra capital , discovered at the Bulandi Bagh site of Pataliputra, c. 4th–3rd BCE
A Gupta period tetrastyle prostyle Buddhist temple of Classical appearance at Sanchi (Temple 17) (5th century CE) [ 49 ]
An Indian palace depiction in Mahabodhi railing, showing vaulted underground chambers called suranga , as described by Kautiliya in Arthashastra ; Shunga period, 2nd–1st BCE
Nalrajar fortification wall, 5th century CE
Navghan Kuvo , Gujarat, 11th century CE.
View of the main group at Pattadakal , a complex of 7th and 8th century CE, Hindu and Jain temples in northern Karnataka