And the Land of Fake Believe

"[5] Furthermore, Jared Johnson of AllMusic went on to state "Creativity and wit caused this punk-pop trio's debut to rise to the top of a crowded genre.

With the path for parent-approved punk having been paved by Relient K some years prior, saying something truly unique at warp speed posed a challenge...You won't find a single track that lasts four minutes, but you will discover plenty of mature teenage insights to make you grin.

"[3] On the flipside, Andrew Shaw of Jesus Freak Hideout said "After all the hype surrounding this release, I was expecting something at least a little different from the plethora of punk groups out there.

"[8] Peter Lindblad of LAS Magazine went on to state that the release was "Stuck in a rut musically and just as susceptible to the kind of regurgitated, if well-meaning, social commentary and confused idealism of a typical MySpace blog as the kids they want to save, Eleventyseven offers fast food for thought for those who really can't think for themselves.

[11] The album was nominated for the 38th GMA Dove Awards in the category of "Recorded Music Packaging of the Year", but lost to Beyond Measure by Jeremy Camp.