[1] The film opens depicting a scene in July 1914 immediately prior to the cruise ship Gloria N. setting sail from Naples Harbor.

Orlando, an Italian journalist, supplies commentary by directly addressing the camera, explaining to the viewer that the cruise is a funeral voyage to disperse the ashes of opera singer Edmea Tetua near the island of Erimo, her birthplace.

These include more opera singers, voice teachers, orchestra directors, theatre producers, actors, prime ministers, counts, princesses, Grand Dukes, and panic-stricken fans of the deceased diva.

The Grand Duke of Harzock, a Prussian, is an obese bubble of a young man whose blind sister (the Tanztheater performer and choreographer Pina Bausch) schemes with her lover, the prime minister, to disinherit her brother.

The upshot is Fellini's barely disguised take on the Marx Brothers's A Night at the Opera in a heady mix of cultures, both ethnic and artistic, where aristocrats and snobs joyfully share the stage (the ship's deck) with peasants and vibrant Serbian folklore (as choreographed by Leonetta Bentivoglio[2]).

The Gloria N. sinks while Albertini wields his baton, aristocrats march to the lifeboats, a grand piano slides across the floor smashing mirrors, and butterflies twitter serenely above the melee of suitcases in flooded corridors.

In a reverse tracking shot, Fellini reveals the stupendous behind-the-scenes of his floating opera of a movie - giant hydraulic jacks (constructed by Oscar-winning set designer, Dante Ferretti) that created the ship's rolling sea movements, along with acres of plastic ocean, an army of technicians burning naphthalene for the smoke of disaster effect, and, finally, an enigmatic figure that may be Orlando or Fellini intentionally hiding behind his own camera filming the main camera filming himself.

This idea comes through magnificently in the scene where immaculate opera singers perform leaning over the iron balcony of the engine room as sweat-grimed workers cease stoking the furnace with coal to listen to the splendid voices.