He is perhaps best known for his stage movement technique that has become an essential part of theatre training programs throughout the world [1][2][3].
Droznin is perhaps best known for his unique system of training that combines Vsevolod Meyerhold's biomechanics and Stanislavski's 'system'.
Droznin's method incorporates a large amount of difficult movements and exercises.
Droznin has stated that the goal of his work is not to simply teach students "stage tricks" but "to make connection between body and mind, body and soul, so when they feel something, they will immediately express themselves."
Droznin has also described his method as "living movement" which is "stage movement that blurs the boundaries between dance, mime, and vernacular gesture," which in turn allows the audience to identify with the performance on a much stronger arm [5].