Angel

An angel is a spiritual (without a physical body), heavenly, or supernatural being, usually humanoid with bird-like wings, often depicted as a messenger or intermediary between God (the transcendent) and humanity (the profane) in various traditions like the Abrahamic religions.

[5] Emphasizing the distance between God and mankind, revelation-based belief-systems require angels to bridge the gap between the earthly and the transcendent realm.

"[14] The rendering of ángelos is the Septuagint's default translation of the Biblical Hebrew term malʼākh, denoting simply "messenger" without connoting its nature.

In the Latin Vulgate, this meaning becomes bifurcated: when malʼākh or ángelos is supposed to denote a human messenger, words like nuntius or legatus are applied.

Even "bad" angels such as Satan, Samael, Iblis etc., can be understood as an operating force within the nature of humans, as responsible for selfish tendencies.

[19] Only in later thought of post-exilic and prophetic writings, the Biblical deity is conceptualized as distant and more merciful, his interventions replaced by the idea of angels.

[24] Unlike the Amesha Spentas, the Fravashi appear as individualized warriors of Ahura Mazda's celestial army, descending from heaven to aid those who summon them against demons.

[35] Michael D. Coogan notes that it is only in the late books that the terms "come to mean the benevolent semi-divine beings familiar from later mythology and art.

[39] Jeffrey Burton Russel writes that "the more the banim and the mal'ak were seen as distinct from the God, the more it was possible ti thrust upon the evil elements in the divine character that Yahweh had discarded.".

The word "angel" can be drawn to the term or role of a "messenger" throughout the Bible in both old and new testaments - (Hebrews 1:14) calls them "ministering [or serving] spirits", sent by God to aid the "heirs of salvation".

[53] Ellen Muehlberger has argued that in Late Antiquity, angels were conceived of as one type of being among many, whose primary purpose was to guard and to guide Christians.

[54] In systematic Christian theology, angels are imagined as incorporeal entities and in opposition to corporeal humans, as in the writings of Origen and Thomas Aquinas.

Some scholars suggest that Gal 3:19 means that the Law of Moses was introduced by angels rather than God, combined with his statements in Galatians, implies a negative role.

"[74] Gregory of Nazianzus thought that angels were made as "spirits" and "flames of fire", following Hebrews 1, and that they can be identified with the "thrones, dominions, rulers and authorities" of Colossians 1.

[102] Islamic theologian al-Ghazali (c. 1058 – 1111) divides human nature into four domains, each representing another type of creature: animals, beasts, devils and angels.

[104] Angels, made from light (Nūr) and thus associated with reason ('aql), represent the intellectual capacity of a human and the ability to bound the devilish qualities from within.

The Muslim Brotherhood scholars Sayyid Qutb and Umar Sulaiman Al-Ashqar reject much established material during earlier periods, for example, the story of Harut and Marut or calling the Angel of Death Azrail.

[113] In Islam, just like in Judaism and Christianity, angels are often represented in anthropomorphic forms combined with supernatural images, such as wings, being of great size or wearing heavenly articles.

An undated manuscript of The Wonders of Creation from the Bavarian State Library in Munich includes depictions of angels both alone and alongside humans and animals.

Then the firmament was illumined by the radiance of its light, contingent beings were made resplendent by its appearance and effulgence, and by its rays, infinite numbers of suns dawned forth, as though they trekked through heavens that were without beginning or end.

[123][124] The Greek magical papyri, a set of texts forming into a completed grimoire that date somewhere between 100 BC and 400 AD, also list the names of the angels found in monotheistic religions, but they are presented as deities.

Numerous references to angels present themselves in the Nag Hammadi Library, in which they both appear as malevolent servants of the Demiurge and innocent associates of the aeons.

They are usurpers of spiritual powers to whom the Gnostic must strive against to become free from envy and greed, and eventually obtains salvation in the immaterial realms.

In the teachings of the Theosophical Society, Devas are regarded as living either in the atmospheres of the planets of the Solar System (Planetary Angels) or inside the Sun (Solar Angels) and they help to guide the operation of the processes of nature such as the process of evolution and the growth of plants; their appearance is reputedly like colored flames about the size of a human.

[133] It is believed by Theosophists that nature spirits, elementals (gnomes, undines, sylphs, and salamanders), and fairies also can be observed when the third eye is activated.

Prior to the Judeo-Christian tradition, in the Greek world the goddess Nike and the gods Eros and Thanatos were also depicted in human-like form with wings.

[143] In terms of their clothing, angels, especially the Archangel Michael, were depicted as military-style agents of God and came to be shown wearing Late Antique military uniform.

The basic military dress was shown in Western art into the Baroque period and beyond (see Reni picture above), and up to the present day in Eastern Orthodox icons.

Other angels came to be conventionally depicted in long robes, and in the later Middle Ages they often wear the vestments of a deacon, a cope over a dalmatic.

Some types of angels are described as possessing more unusual or frightening attributes, such as the fiery bodies of the Seraphim, and the wheel-like structures of the Ophanim.

Statue of the angel of the Annunciation , c. 1430–1440 , Metropolitan Museum of Art
Schutzengel ("Guardian angel") by Bernhard Plockhorst depicts a guardian angel watching over two children.
The Archangel Michael wears a Roman military cloak and cuirass in this 17th-century depiction by Guido Reni .
The Wounded Angel , Hugo Simberg , 1903, voted Finland's "national painting" in 2006
Relief of Angel, Taq-e Bostan
Three angels hosted by Abraham , Ludovico Carracci (c. 1610–1612), Bologna, Pinacoteca Nazionale
Tobias and the Angel by Filippino Lippi , created between c. 1472 and c. 1482
One of Melozzo 's musician (seraphim) angels from the Basilica dei Santi Apostoli, now in the sacristy of St. Peter's Basilica
Angel of the Revelation by William Blake , created between c. 1803 and c. 1805
Kristus i Getsemane (1873), an angel comforting Jesus before his arrest in the Garden of Gethsemane , by Carl Heinrich Bloch (1834–1890)
Depiction of an angel in a Persian miniature (Iran, 1555)
The Angels meet Adam, the prototypical human being, before they are being tested to prostrate themselves before Adam. They share, albeit to a lesser degree, the defiant reaction of Iblis, the future devil, who, in contrast to the angels, is depicted with a dark face. Painting from a manuscript of the Manṭiq al-ṭayr (The Conference of the Birds) of Farīd al-Dīn ʿAṭṭār. Iran, Shiraz, 899/1494. [ 101 ]
Muhammad advancing on Mecca, with the angels Gabriel , Michael , Israfil and Azrail . ( Siyer-i Nebi , 16th century)
Draft for an Angel by Desiderius Lenz
Three Putti Next to a Cartouche , after François Boucher , 1727–1760, etching and engraving, 26.5 × 21.5 cm, Metropolitan Museum of Art , New York City