After three years, Angham returned to the forefront of Arabic pop music in 2007 with her album Kolma N'arrab (Whenever We Come Closer) which sold more than 500,000 CDs across the Middle East in less than three months and was awarded a platinum certification.

[3] Angham was born in Alexandria, Egypt, the eldest child of Mohammad Suleiman, a former violinist, music composer, orchestra chief, and singer, while her mother, Mageda Abdel Haleem, is a well-known artist.

However, Angham fell into a nervous breakdown when she received news about her uncle's death which happened on the same day of her first tour in Tunisia at the Carthage International Festival.

Due to her father's wide recognition in the music industry, famed composer Mohammed Abdel Wahab gave Angham the copyright of his track "Basbosa".

Her first widely seen concert appearances were mainly at the Cairo Opera House, and she said she felt that her performance proved her vocal abilities were not, as some had previously speculated, simulated using studio techniques.

They were produced by Alkhoyool in 1992, and they were reproduced by production label Rotana in 2002 among the famous collection musical record Mahrajan Nagham Watarab 2002 (Festival of Melodies and Oriental 2002).

This fact was attributed to the critical and commercial success of such tracks as "Telephonak Kam" ("What's Your Number"), "Shantet Safar" ("Luggage") and "Ella Ana".

"Law Hasseit" which was filmed as a music video is the first track to contain quick Latin/Spanish beats, and perhaps helped Angham gain more popular in the young demographic.

The sound engineering was taken care by Ameen Akef, Hussein Aahdy, and Omro Hashem, while the record was co-produced by Angham and Adel Othman Helal.

The record contained hits like "Haybet Malek" ("Pride of a King"), "Ma Had Fady" ("No One Cares"), "Eedna Mbarak" ("Happy Anniversary"), and "Ghareeb" ("Strange").

Angham's next album, 'Leih Sebtaha' (Why Did You Leave Her) which was produced by Alam El Phan Records company and released in 2001, yielded the number-one single "Sidi Wisalak" ("Your Charm"), the lyrics and music video for which presented a more overtly feminine and sensual image of her that had been previously seen.

[12] She stated that Leih Sebtaha defined the point that she attained full creative control over her music, which continued to move in a steady direction with material mostly written and composed by Bahaa elDeen Mohammad and Sheriff tagg respectively.

Both "Sidi Wisalak" and "Magabsh Serty" ("Did He Mention Me") tracks boosted the sales and gave her the title of the best selling living Egyptian female artist.

"Omry Maak" and "Arrefha Beya" ("Introduce Me To Her") tracks reached number one in the Middle East, in a time where the industry witnessed the release of unsuccessful records from fellow Arabic artists.

Media reception of "Omry Maak" was in majority enthusiastic, with the Riyad Newspaper saying the album is like "a state of euphoric love between the loss of human senses and the phenomena of passion in its ultimate summit".

Angham's new marriage to Fahd topped with her constant exhaustion, second pregnancy and an operation for a kidney stone prior to giving birth[20] made it impossible for the artist to focus on the record.

[22] She participated in the fourth season of Star Academy,[23] appeared on the Maa Hobby (With Love) and "خليك بالبيت"(Stay Home) talk show[24][25]], and "Saat Samee" ("An Hour of Hearing") on Noujoum FM radio.

[26] Angham performed at "هلا فبراير" ("Welcome February") concert at Kuwait, alongside artist Saber elRibai, Khaled Slim and Hamoud elNaser.

[27] Angham then won "صوت الحب" ("Voice Of Love") Award in 2006 at the Alexandria National Music Festival in its fourth round.

[29] Angham's eighteenth studio album, Kolma N'arrab (Whenever We Come Closer), was released in 2007 and contained contributions from music composers such as Khaled Ezz, Tamer Ali, Ramy Gamal, Baleegh Hamdy and Sheriff Tagg.

She debuted her first tour with a successful performance in Cairo at the "Layali elTelevision" (Nights of the Television) concert on 14 July 2007, which took part at the Chinese Garden, amid a young demographic which surpassed 3000 in number.

[39] According to Elaph E-newspaper, Angham will continue her tour and her third concert around the Middle East is due to take place at the Doha's 9th Music Festival, where she will be closing the event alongside Gulf legend artist Mohammad Abdo on 29 January 2008.

[46] In an interview in Kelmet elFassel (Last Word), she revealed that she would be singing for the first time a Lebanese song written by Catherine Moawwad and composed by Salim Assaf.

The plot was written by Toufic Hakeem and was originally intended for theatre before it was transformed in the 1940s into a movie which starred actor/artist Mohammed Abdel Wahab and actress Rakiya Ibrahim.

Among the offers she refused were Sahar elLayali (Sleepless Nights) which was nominated for Best Foreign Movie at the Academy Awards in 2003,[52] in which the singer was supposed to act instead of actress Mona Zaki,[53] Shiqet Maser elJadida (Heliopolis Apartment),[54] Aan elAshk Wel Hawa (About Love and Passion)[55] elShoumouaa elSawdaa (Black Candles) where she was supposedly to remake the acting part of legend actress/artist Najat elSagheera, and Hayat Thekra (Life of Thekra) where Angham was supposedly to remake the life of assassinated Tunisian singer, Thekra.

[56] On the talk show Maa Hobby (With Love) in 2005, host Joumana Bou Eid asked Angham how she felt toward her dad after eight years of collaboration in making records.

[57] Months before the release of Bet'heb Meen (Who Do You Love) in 1999, Angham married Magdy Aref, an Egyptian businessman and music video director, with whom she had a son named Omar.

[59] Angham remained single for four years before she met music arrangist Fahd, with whom she became romantically involved during the making of her 2003 record Omry Maak.

[60] Among the invitees present at the wedding were artists Elissa, Sherine, Mohamed Hamaki, Khaled Agag, Sheriff Makkawy, and Ehab Toufic.

In Maa Hobby (With Love) talk show, Angham said that "singing in a low voice is far much more difficult than screaming in high pitch notes.