and Ph.D. theses in the area of Canadian art history as well as lecturing nationally on the subject, assisting and advising funding agencies, serving on panels for scholarly conferences and as a peer reviewer for galleries and other institutions and organizer of workshops as well as serving as a member of the Board of Trustees of various institutions such as the McMichael Canadian Art Collection (2013-2017), and of many committees in York University and elsewhere.
[2] Hudson wrote or contributed essays for the catalogues for exhibitions which she organized or co-organized such as A Collector's Vision: J. S. McLean and Modern Painting in Canada (Art Gallery of Ontario, 1999); Woman as Goddess: Liberated Nudes by Robert Markle and Joyce Wieland (Art Gallery of Ontario, 2004); The Nude in Modern Canadian Art, 1920-1950, co-curated with Michèle Grandbois for the Musée national des beaux-arts du Québec (2009) which the Winnipeg Free Press called fascinating;[6] Fugitive Light: Clark McDougall’s Destination Places (2011), for the McIntosh Gallery, University of Western Ontario; and inVisibility: Indigenous in the City, which was part of INVISIBILITY: An Urban Aboriginal Education Connections Project for the John B. Aird Gallery, Toronto (2013) (co-curated with Dr. Susan Dion and Dr. Carla Rice).
She was on the curatorial team for the exhibition and wrote for the catalogues of Painting Canada: Tom Thomson and the Group of Seven, for the Dulwich Picture Gallery, London, UK (2011); and Tunirrusiangit: Kenojuak Ashevak and Tim Pitsiulak (2018) ("Tunirrusiangit" means "their gifts" or "what they have" in Inuktitut)[3] for the Art Gallery of Ontario, Toronto.
in Inuktitut) with Dr. Heather Igloliorte and Jan-Erik Lundström, a book which celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic.
[9][10] She also has written numerous articles, chapters in books and entries such as the chapter titled "Quiet pursuits: Canadian Impressionsts and the 'new woman'" in Canada and Impressionism: new horizons, 1880-1930 co-authored by Katerina Atanassova (2019)[11] or the entries on Anne Savage and Marion Long in Uninvited: Canadian Women Artists in the Modern Moment (2021).