[4] Huff began her musical career in the late 1990s with the novelty synth-pop group the Space Ballerinas, based in Olympia.

[5] Making their debut as a trio at Ladyfest Olympia, the group released two EPs on Yoyo Records entitled "Diamonds" and "If Goth Was Pink" and opened a show for Peaches before disbanding in 2001.

[1] MacKenzie Wilson of AllMusic termed the album synth-pop and commented on the "minimalist approach" of the production, stating "she adds a bit of sauce to the new-millennium electroclash stage and celebrates the delicious design of classic new wave.

[8] The Phoenix New Times wrote that Huff's vocal stylings were "a perfect contrast to the rhythmically ebullient programmed synths and beats supporting them—backdrops coursing, playful, robotic, and pop basic.

Cloud-Eye Control is an experimental theater group, with Huff handling composition, co-creation and serving as a primary performer.

[2] Under Polaris sold out a five-day run at REDCAT in Los Angeles, and was featured at the 2009 National Performers Network conference in Knoxville, Tennessee.

"[10] Huff, Flying Lotus, and Eric Lindley contributed music to various animated performances by Miwa Matreyek, including This World Made Itself, Myth and Infrastructure, and Dreaming of Lucid Living.