[2] Concerned with representing migratory displacement, postcolonial recovery, and conceptions of "longing and belonging", Davis uses art and form to capture "an understanding of the shifting terrain in our minds and on our lands, through video, wall-based work, and installations.

She then began traveling around the Caribbean meeting fellow artists, becoming part of a larger regional arts community by building relations with her peers in the Anglophone, Hispanophone and Dutch Antilles.

[7][8] Davis' work then moved from painting and printmaking into installation and video art, and concerns itself with "post-plantation economies" and the transformation of Barbados from forests to sugarcane farms to a tourist destination.

From 2016-2018, she was Caribbean Arts Manager with the British Council, developing programming in Cuba, Jamaica and Trinidad and Tobago and in 2020, she co-founded Sour Grass, a curatorial agency.

The efforts of The Walkers Institute and Davis speak to a shared commitment toward the rejuvenation of the historic space, with the garden now repurposed as a sacred plot of hope and natural apothecary centered on female reproductive health.

[14] The Nasher Museum of Art at Duke University, North Carolina, included Davis's work in the collective exhibition and accompanying publication Spirit in the Land, in 2023.