A week later, they are joined by the Van Pels family: Otto's business partner Hermann, his wife Auguste and their teenage son Peter.
Anne lives through puberty, her teenage years, conflicts with her family, and a burgeoning sexuality, but is forced to undergo it all in the cramped 500 square foot of the annex.
Otto Frank, the only inhabitant of the annex to survive the war, tells in a monologue of what happened to the two families and to Fritz Pfeffer after their arrest, their transit to camp Westerbork, and their deportation to Auschwitz, where the eight part ways.
ANNE opened in Theater Amsterdam on May 8, 2014, in the presence of king Willem-Alexander of the Netherlands and Buddy Elias, at the time the last remaining family member of the Franks.
This meant that ANNE was the first adaptation of the diary to be allowed to quote direct passages, whereas earlier version had had to resort to rephrasing Frank's literal wording.
Purpose-built for ANNE by production company Imagine Nation, Theater Amsterdam is an 1100-seat theatre with a circular auditorium, allowing for quick scene changes through the use of a track system on which sets can be moved speedily into place by being driven around the audience seating banks.
The scale of the newly built venue allowed the producers, Tony-award winner Robin de Levita and former head of Sony Television Kees Abrahams, to recreate several sets in life size and with historical accuracy.
To play Anne Frank, an extensive set of auditions was held, and the role was ultimately given to Rosa da Silva,[2] a Dutch actress of half-Portuguese descent who, at the time, was in her final year at the Academy of Theatre and Dance in Amsterdam.
Rob Das reprised his role as helper Jan Gies from the Ben Kingsley-led ABC miniseries Anne Frank: The Whole Story.