[6] Other exhibitions organized or co-organized by Anne included Futurism and the International Avant-Garde (1980), Violet Oakley (1979), Eight Artists (1978) and John Cage: Scores & Prints (1982).
During her tenure as curator, she reinstalled the permanent galleries in the wing of the PMA devoted to 20th-century art, creating rooms specifically dedicated to the work of Duchamp and the sculptor Constantin Brâncuși.
Under her curatorship, the PMA made the commitment to substantially build their contemporary collection, acquiring important works by Jasper Johns, Ellsworth Kelly, Dan Flavin, Sol LeWitt, Brice Marden, Agnes Martin, Elizabeth Murray, Claes Oldenburg, Katherine Anne Porter, Dorothea Rockburne, James Rosenquist, and Frank Stella among others.
Between 1992 and 1995, in a massive building project undertaken to reinstall all of the PMA European collections, over 90 galleries were renovated and relit, while thousands of works of art were examined, conserved and placed in fresh contexts.
As part of the long range plan, and in celebration of the PMA 125th anniversary year, a capital campaign with a goal of $200 million was formally launched in December 2000.
[1] In the same year, the PMA broke ground on repurposing of a landmark building across the street and embarked on a comprehensive master plan for its use and the additional steps necessary to meet its 25-year requirements for new or renovated space.
[7] It houses greatly expanded, state-of-the-art facilities for the PMA collections of prints, drawings, and photographs, costumes and textiles, modern and contemporary design, and Library and Archives.
[16] The Claes Oldenberg sculpture Giant Three-Way Plug (Cube Tap) was donated and installed opposite the western entrance, as a memorial to d'Harnoncourt.