[10] Interested in dance, cinema and the visual arts, in 2001 she co-founded the art-performance collective, Les Fermières Obsédées, and her first solo photographic exhibition was held at La Bande Vidéo (Québec QC).
[4] In 2011 her series of "aesthetic choreographies", Emballage anatomique, was exhibited at La maison des artistes visuels francophone (Winnipeg MB)[12] and at Galerie d'art Outremont (Montreal QC).
[10] In a review of Les natures mortes: Épisodes de petits déclins at Galerie D'Este (Montreal), La Presse art critic Eric Clement also noted that "the narrative is now more obvious.
Described as "choreographed gesture and luxuriant colors", art critic Guy Sioui Durand also noted that, with subtle "symbolic values", "the photographs of Annie Baillargeon 'revamp' the genre of allegory.
"[8] Josianne Desloges wrote in Le Soleil that her work "borrowed both from Alice in Wonderland, unknown legends, and the disjointed visual universe of the multidisciplinary collective Les Fermières obsédées.
[1] Describing her photomontages as "visually striking with "overwhelming detail ordered into semi-patterns" similar to Rococo Art, she also compared Baillargeon to contemporary artists Shary Boyle, Yannick Pouliot, and Wym Delvoye.