[9][4] Sprinkle, a bisexual woman and member of the LGBTQ+ community, married her long-time partner Beth Stephens in Canada on January 14, 2007.

[7] At eighteen, she began working at the ticket booth at the Cine-Plaza Theatre in Tucson, Arizona, when Deep Throat (1972) was playing.

[11] The film was busted, and when Steinberg had to appear in court as a witness, she met and began a relationship with Deep Throat's director, Gerard Damiano, becoming his mistress.

She starred in Nick Zedd's experimental films War Is Menstrual Envy (1992), Ecstasy in Entropy (1999), and Electra Elf: The Beginning (2005).

Through The New School of Erotic Touch, she has released several video classes, including Female Genital Massage and Amazing World of Orgasm.

[21] Currently her lecture presentation is called "My Life and Work as a Feminist Porn Activist, Radical Sex Educator, and Ecosexual".

They married the Earth, Sky, Sea, Moon, Appalachian Mountains, the Sun, and other non-human entities in nine different countries including at Montreal's Edgy Women Festival in 2011.

[24] Sprinkle and her partner Beth Stephens became pioneers of ecosexuality, a kind of earth-loving sexual identity, which states, "The Earth is our lover".

In 2009, she appeared in the French documentary film Mutantes: Punk, Porn, Feminism, speaking about the beginnings of the movement as well as her own contributions to it.

They presented performances and visual art, lectured, and previewed their new film documentary, Water Makes Us Wet: An Ecosexual Adventure.

[33] A stated aim of her performance art and other works has been to challenge the censorship of female genitals including the vulva, clitoris, vagina.

[14] Sprinkle and her wife Beth Stephens are known for naming and promoting a combination of environmental activism and sexuality called ecosexuality.

Sprinkle has characterized her own art involving erotic and explicit imagery of the vulva and internal female anatomy as feminist activism.

Within the post-porn movement there is a critical lens applied to corporations producing pornography and non-corporate pornographic content is instead valued.