Anthesteria

The festival celebrated the beginning of spring, particularly the maturing of the wine stored at the previous vintage,[3] whose pithoi (storage-jars) were now ceremoniously opened.

During the feast, social order was interrupted or inverted, the slaves being allowed to participate, uniting the household in ancient fashion.

[3] The Cambridge ritualist A. W. Verrall, however, glossed the name as a Feast of Revocation (ἀναθέσσασθαι, anathessasthai, to "pray up") in reference to the aspects of the festival where the dead were considered to walk among the living.

Its ritual marriage of a queen to Dionysus recalls myths concerning Theseus and Ariadne,[8] but this is no longer considered a dependable sign that the festival had been celebrated in the Minoan period.

[d] The jars of wine (pithoi) from the previous year were opened, libations offered to Dionysus, and the entire household (including slaves) joining in the festivities.

[9] The days on which the Pithoigia and Choës were celebrated were both regarded as apophrades (ἀποφράδες, 'unlucky'; Latin equivalent nefasti) and miarai (μιαραί, 'defiled'), necessitating expiatory libations.

Merrymaking continued: people dressed themselves gaily, some in the figures of Dionysus's entourage, and paid a round of visits to their acquaintances.

The day also marked a state occasion: a peculiarly solemn and secret ceremony in the sanctuary of Dionysus 'in the marshes' (ἐν λίμναις, en límnais), which was closed throughout the rest of the year.

Small terracotta wine vessels such as this one (c. 410 BC) were given as gifts during the Anthesteria. They often depict children at play or mimicking adults, here a chubby Eros pulling a toy cart. ( Walters Art Museum )
Attic red-figure oinochoe depicting a young boy pulling another boy's chariot, perhaps a parody of the Anthesteria's hierogamy (430–390 BC)