An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain.
[3] Socrates of Constantinople wrote that antiphony was introduced into Christian worship by Ignatius of Antioch (died 107) after he saw a vision of two choirs of angels.
Ambrose and Gregory the Great, who are known for their contributions to the formulation of Gregorian chant, are credited with 'antiphonaries', collections of works suitable for antiphon, which are still used in the Catholic Church today.
[6] Polyphonic Marian antiphons emerged in England in the 14th century as settings of texts honouring the Virgin Mary, which were sung separately from the mass and office, often after Compline.
[8] As a result, antiphony remains particularly common in the Anglican musical tradition: the singers often face each other, placed in the quire's Decani and Cantoris.
[12] More recently they have found a place in primary liturgical documents throughout the Anglican Communion, including the Church of England's Common Worship liturgy.
Polychoral music was not limited to Italy in the Renaissance; it was also popular in France with Marc-Antoine Charpentier (37 settings H.16–H.52), in Spain and Germany.