The image sought to portray "the new Ustaša man ... purifying Croatia's body politic of the racially degenerate Jews."
The organizers of the exhibition also sought to expose the supposed "economic injustices" and "abuse" suffered by "honest Croatian workers" at the hands of Jews in the Kingdom of Yugoslavia.
Its promotional film went so far as to suggest that "Jewish pimps [had] picked up vulnerable Croatian women, seducing them and selling them into a sordid life of brothels, prostitution, and white slavery.
Head of the DIPU Vilko Rieger opened the exhibition with a speech in which he described Jews as detrimental to "the customs and society of Aryan peoples" by being "at the forefront of both exploitative capitalism and marxism" and that history has showed that "healthy nations always fought the Jewish danger".
[1] Historian Ivo Goldstein and author Rory Yeomans have described it as being the pinnacle of the propaganda campaign spread by the Ustaše against Croatia's Jewish community during World War II.