Through a multidisciplinary practice of video, performance, installation, sculpture, sound, and light, Wright responds to extremes of emotion, control, and violence as they relate to systems of power in society.

In 2021, Wright debuted “Not Yet Paved” at Pérez Art Museum Miami, Florida, where she converted a concrete mixer truck into a musical instrument that plays the song "Young, Latin, and Proud" by the musician Helado Negro.

In 2022, the artist present a public talk to introduce Women in Labor a new digital installation project at Pérez Art Museum Miami, Florida.

[12] Wright's solo show “I came to see the damage that was done and the treasures that prevail” at Spinello Projects, Miami, Florida in 2022 was a reaction to the reproductive rights crisis.

The piece comments on the outcomes of the newly reviewed law in estates with current complete or partial bans on abortion care for birthing people.

For instance, Wright's work touches on existing data and first-person accounts on one's need to seek out-of-state care, undergo unsafe procedures, carry an unwanted or harmful pregnancy.

[16] In 2022, during Miami Art Week, Antonia Wright along with her long-time collaborator, Ruben Millares, were the winners of the No Vacancy Juror’s Choice Award[17][18] for their public artwork installed on the beach outside the Faena Hotel.