Antonio Mohedano

Having seen the frescoes of Julio and Alessandro, at Granada, and those of the Perolas, at El Viso, his admiration led him to copy many figures from those works, and to adopt that style of painting.

Along with Alonso Vazquez, he painted frescoes for the great cloister of the Franciscans at Seville.

In the Sacristy of Cathedral of Córdoba with the Perolas, he painted some now extant frescoes on devotional subjects.

His last years, however, were spent at Lucena, where he painted for the high altar for the principal church, and where he died.

Two of his love-sonnets, of little interest, have been preserved in the anthology of his friend, Pedro de Espinosa, who also printed, in the same collection, a sonnet in his honour.