Anuradha Vikram is an art critic, curator, author, and lecturer based in Los Angeles, California.
[1] She has contributed to numerous publications, and has a published book called Decolonizing Culture: Essays on the Intersection of Art and Politics.
Growing up in Westchester County, New York, Anuradha Vikram began being involved in making art during high school.
[4] She moved to California, working at Nikolas Weinstein's glass studio in the San Francisco Bay Area.
She is also a contributor to X-TRA, KCET Artbound and DAILY SERVING, and has been published in Hyperallergic, Leonardo, SF Camerawork Journal, Afterimage, Artillery, The Brooklyn Rail, and Open Space, the blog of the San Francisco Museum of Modern Art.
[15] Some of her other recent publications include "'Naked in the Sight of the Object': Masking, Masquerade, and Black Identity" (X-TRA, vol.
1, Fall 2015), "A Brief and Incomplete History of Art and Technology Ventures in the Bay Area 1980-2010" (Afterimage, vol.