Aparajitaprccha

The text is notable for its sections on temple architecture (vastu), sculpture (shilpa), painting (chitra) and classical music and dance (sangita, nritya).

The generally accepted range is sometime between 1000 and 1200 CE based on its language, internal evidence such as those it cites and iconography it recommends, as well as matching its specific teachings with actual temples built and which can be dated with confidence.

[3] The Aparajitaprccha shows significant influences from Samarangana Sutradhara, another major Hindu vastu and shilpa sastra text that has survived into the modern age.

[5] The text lists and discusses the various designs of temples, housing, water infrastructure, sculpture, pillars, domes, arrangement of architectural space (chanda) and such topics.

Its canonical guidelines are followed in highly ornate Hindu and Jain marble-stone temples built after the 11th-century, and sections of the text are found in traditional shilpin families in Gujarat, Rajasthan and nearby regions.

The Ajitanatha Jain temple at Taranga follows specifications in the Aparajitaprccha text, as do Hindu temples in Siddhapur and Prabhasa-Patana. [ 3 ]