Apotheosis of Homer

Homer was the subject of a number of formal hero cults in classical antiquity.

The earliest notable portrayal of the scene is a 3rd-century BC marble relief by Archelaus of Priene, now in the British Museum.

It shows Ptolemy IV and his wife and sister Arsinoe III standing beside a seated poet, flanked by figures from the Odyssey and Iliad, with the nine Muses standing above them and a procession of worshippers approaching an altar, believed to represent the Alexandrine Homereion.

Apollo, the god of music and poetry, also appears, along with a female figure tentatively identified as Mnemosyne, the mother of the Muses.

The relief demonstrates vividly that the Greeks considered Homer not merely a great poet but the divinely-inspired reservoir of all literature.

The Apotheosis of Homer , by Archelaus of Priene. Marble relief, possibly of the 3rd century BC, now in the British Museum .