Homer was the subject of a number of formal hero cults in classical antiquity.
The earliest notable portrayal of the scene is a 3rd-century BC marble relief by Archelaus of Priene, now in the British Museum.
It shows Ptolemy IV and his wife and sister Arsinoe III standing beside a seated poet, flanked by figures from the Odyssey and Iliad, with the nine Muses standing above them and a procession of worshippers approaching an altar, believed to represent the Alexandrine Homereion.
Apollo, the god of music and poetry, also appears, along with a female figure tentatively identified as Mnemosyne, the mother of the Muses.
The relief demonstrates vividly that the Greeks considered Homer not merely a great poet but the divinely-inspired reservoir of all literature.