Architecture parlante

[1] Emil Kaufmann traced its first use to an anonymous critical essay with Ledoux's work as the subject, written for Magasin pittoresque in 1852, and entitled "Etudes d'architecture en France".

The same team designed the 1912 Grand Central Terminal, which also contains self-explaining architectural elements in the form of the oversized allegorical sculpture group, and in the ingenious way that the shapes, surfaces, steps, arches, ramps and passageways inherent in the structure constitute a language that helps visitors orient themselves and find their way through the building.

The same year, McKim, Mead & White designed the Farley Post Office Building with its famous inscription adapted from Herodotus: "Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds."

It includes over the main entrance this paean: "Fire: greatest of discoveries, enabling man to live in various climates, use many foods, and compel the forces of nature to do his work.

Electricity: carrier of light and power, devourer of time and space, bearer of human speech over land and sea, greatest servant of man, itself unknown.

Within this edifice are established agencies that have been created to buttress the life of the people, to clarify their problems and coordinate their resources, seeking to lighten burdens without lessening the responsibility of the citizen.

“Temple of the Earth”, drawing by Jean-Jacques Lequeu from his manuscript Architecture Civile .