Argentine painting
During the Spanish colonial era, painting developed primarily as a religious art in churches, designed to Christianize indigenous peoples.
Among them were English mariner Emeric Essex Vidal (1791–1861), a watercolorist who left important graphic evidence of Argentine history; French engineer Carlos E. Pellegrini (1800–1875), who was devoted to painting out of necessity and who would be the father of president Carlos Pellegrini; the mariner Adolfo D'Hastrel (1805–1875), who published his drawings and watercolors in the book Colección de vistas y costumbres del Río de la Plata (1875); and lithographer César Hipólito Bacle (1790–1838).
In this context, in which there continued to be influence from the Paris School (Modigliani, Chagall, Soutine, Klee), three main groups arose.
Its painters included Aquiles Badi, Héctor Basaldúa, Antonio Berni, Norah Borges, Horacio Butler, Emilio Centurión, Juan del Prete, Raquel Forner, Ramón Gomez Cornet, Alfredo Guttero, Emilio Pettoruti, Xul Solar, and Lino Enea Spilimbergo.
El Grupo Boedo, with painters such as José Arato, Adolfo Bellocq, Guillermo Hebécquer and Abraham Vigo.
These artists included Victor Cúnsolo, Eugenio Daneri, Fortunato Lacámera, Alfredo Lazzari, Benito Quinquela Martín, and Miguel Carlos Victorica.
In 1948 he organized the painting workshop at the Higher Institute of Arts of the National University of Tucumán under the leadership of Enes Lino Spilimbergo and Guido Parpagnoli address, where he formed a plastic pole Argentina of great interest with leading artists : Tucumanos Muralistas School, inspired by the teachings of Lothe and Ghyka Matyla harmonic principles.
In 1948 it Organized the paint shop of the Superior Institute of Arts of the National University of Tucumán led by Enes Lino Spilimbergo and direction of Guido Parpagnoli, que Formed plastic one pole of the Argentina of great interest to the Most outstanding artists: School Tucumano muralists, inspired by the Teachings and principles of Lothar Matyla Ghyka harmonics.
The project of the Higher Institute of Arts in different disciplines joined Lorenzo Dominguez for the section of sculpture, printmaking and Víctor Rebuffo in Zurro Pedro de la Fuente in matalistería.
Ramón Gómez Cornet and cartoonists Lajos Szalay and Aurelio Salas also participated in this project with Carlos Alonso, Juan Carlos de la Motta, Eduardo Audivert, Leonor Vassena, Alfredo Portillos, Medardo Pantoja, Luis Lobo de la Vega, Mercedes Romero, Nieto Palacios and others.
The project of the Higher Institute of Arts joined in various disciplines: Lorenzo Dominguez for the section of sculpture, Víctor Rebuffo recorded in Zurro and Pedro de la Fuente in matalistería.
Ramón Gómez Cornet and cartoonists Lajos Szalay and Aurelio Salas Also participated In this endeavor Along with Carlos Alonso, Juan Carlos de la Motta, Eduardo Audivert, Leonor Vassena, Alfredo Portillo, Medardo Pantoja, Luis Lobo de la Vega, Mercedes Romero, Nieto Palacios et al. Argentina's "modern painters" are a difficult group to define.
[citation needed] It was founded by Gyula Kosice and Carmelo Arden Quin, and included artists such as Rhod Rothfuss, Martín Blaszko, Waldo Longo, and Diyi Laañ.
The most prominent artists of this current is Jorge de la Vega, Rómulo Macció, Luis Felipe Noé, Antonio Seguí, Miguel Á. Dávila, Juan Carlos Distéfano .
The most outstanding artists of this current are Jorge de la Vega, Rómulo Macció, Luis Felipe Noé, Antonio Seguí, Miguel Á.
The most prominent artists of this current are Jorge de la Vega, Rómulo Macció, Luis Felipe Noé, Antonio Seguí, Miguel Á. Dávila, Juan Carlos Distéfano.
