[1] Arpana Caur exhibits dynamism and deep insight in her depictions of women's conditions in modern India.

[3] In an interview with Yashodhara Dalmia, when asked if she called herself a 'feminist', Caur immediately replied with a resounding 'no' because the themes she incorporates or is curious about, go beyond gender and ones that every human is faced with.

In addition, there is a clear influence of existing traditions in her works, namely drawing from the Gond, Gondna, Madhubani, miniature and folk art forms.

[6] One will notice that Caur's works encompass paintings with watercolour, gauche and sculptures that are layered with motifs, myths and stories that the artist purposefully references.

Interestingly, the artist was afraid of the temporary aspect of this installation and decided to add in pots brimming with water signifying tears within the context of the man-made tragedy.

[13] Caur has also been cinematically covered with numerous films and biopics by BBC London, Sidharth Tagore, Chandermani, Doordarshan and Raqs Media.

[18] She is known to have successfully rallied against the felling of trees in New Delhi's Siri forest area during the construction of food courts / restaurants for the 2010 Commonwealth Games Village.