Artistic production in Greece began in the prehistoric pre-Greek Cycladic and the Minoan civilizations, both of which were influenced by local traditions and the art of ancient Egypt.
In the East, Alexander the Great's conquests initiated several centuries of exchange between Greek, Central Asian and Indian cultures, resulting in Greco-Buddhist art, with ramifications as far as Japan.
Following the Renaissance in Europe, the humanist aesthetic and the high technical standards of Greek art inspired generations of European artists.
In place of the nude, the figures of God the Father, Jesus Christ, the Virgin Mary and the saints and martyrs of Christian tradition were elevated and became the dominant - indeed almost exclusive - focus of Byzantine art.
Like the Cretan school it combined Byzantine traditions with an increasing Western European artistic influence, and also saw the first significant depiction of secular subjects.
After centuries of Ottoman rule, few opportunities for an education in the arts existed in the newly independent Greece, so studying abroad was imperative for artists.
Munich, as an important international center for the arts at that time, was the place where the majority of the Greek artists of the 19th century chose to study.
Many of these Munich School artists chose subjects such as everyday Greek life, local customs, and living conditions.
Notable sculptors of the era are Leonidas Drosis (his major work was the extensive neo-classical architectural ornament at the Academy of Athens, Lazaros Sochos, Georgios Vitalis, Dimitrios Filippotis, Ioannis Kossos, Yannoulis Chalepas, Georgios Bonanos and Lazaros Fytalis.