Many prints continue to be referred to by the numbers from his catalogue of Italian engravings in the British Museum, a work begun in 1910 and published in expanded form in four volumes in 1948, with another three in 1948.
[1] With Campbell Dodgson, his predecessor as Keeper, he participated in the "heated atmosphere of rumour and anticipation" (as Dodgson put it in 1927) around the major sales of first half of the century, many dispersing German aristocratic collections, with Berlin, Munich and Americans the main competitors.
[2] Born in Burton upon Trent, Hind attended City of London School and Emmanuel College, Cambridge.
Hind came to specialise in prints and drawings and studied the history of engraving in Dresden under Max Lehrs for a year before joining the British Museum in 1904.
[3] Media related to Arthur Mayger Hind at Wikimedia Commons