Arthur Trebitsch

As a young man he came under the influence of fellow student Otto Weininger and the racial theorist Houston Stewart Chamberlain, whose Viennese circles he frequented.

Trebitsch had them published at his own expense by his own specially founded press: Antaios Verlag, named after the mythological giant Antaeus in reference to a passage in Richard Wagner's 1850 essay The Art Work of the Future.

His increasing rejection of Judaism was accompanied by a distrust the academic establishment, and evidence of a more general paranoia began to show.

[1] In 1912, he unsuccessfully tried to sue his half-brother Siegfried and the critic Ferdinand Gregori, who had written a bad review of his short stories.

His brother had agreed with Gregori, describing Arthur's work as "amateurish" and suggesting that he suffered from "megolamania and paranoia".

In the early 1920s, Trebitsch helped to set up and fund the Austrian branch of the Nazi party, allegedly being considered its leader for a brief period.

They had to be forcibly expelled from Europe, though a few might be absorbed into the Aryan population after a long period of forced labour eradicated the Jewishness from their souls.

[2] While Aryans possessed a "primary" creative intellect, Jews were only capable of "secondary" thinking, taking original ideas and adapting them.

[1] Despite apparently believing himself to be the providentially ordained leader of the German people, he gave generous financial support to Adolf Hitler and the Nazi party.

[citation needed] Theodor Lessing uses Trebitsch as one of his principal sources for the concept of the self-hating Jew in his pioneering study of the phenomenon.

Arthur Trebitsch
Trebitsch's book Geist und Judentum