By using examples from classic texts, he highlights what he sees as the seven universal aspects of the novel, which he defined as: story, characters, plot, fantasy, prophecy, pattern, and rhythm.
[1] Some critics have taken issue with the fact that Forster, as a renowned novelist, formulated a normative theory of how to write prose.
W. Somerset Maugham commented that, having read the book, "I learned that the only way to write novels was like Mr. E. M.
According to Woolf, Forster, unlike other critics, never exercises stern authority to save the lady (i.e. fiction), he merely acts as a casual friend who happens to have been admitted into the bedroom.
Woolf concedes, however, that this is ultimately not very helpful when it comes to formulating rules: "So then we are back in the old bog; nobody knows anything about the laws of fiction".