Argianas' practice is interdisciplinary; incorporating sculpture, painting, text, performance and often music or sound, and concerns itself with metaphorical or translated representations of aural experiences.
He received his MA from Goldsmiths College, London and previously studied under Jannis Kounellis at the Kunstakademie Düsseldorf.
In addition to his fine arts education and practice, Argianas is a conservatory trained musician and releases music under the moniker Gavouna.
[1] In his work, Argianas has been known to reference electronic instruments from the early 20th century, such as the theremin and the ondes martenot, experimental music and compositional methods from the 1960s, concrete poetry, the Constructivism of Naum Gabo, and even Marcel Duchamp’s Machine Optique (1920) and its circular deployment of language.
Argianas' work explores the contingency of sounds and forms and the possibility of new or different understanding arising through the translation between aural and material experiences.