In one archaic Attic myth, the god Hephaestus tried and failed to rape her, resulting in Gaia giving birth to Erichthonius, an important Athenian founding hero.
Nor shall we be far wrong in supposing that the author of it wished to identify this Goddess with moral intelligence [εν έθει νόεσιν, en éthei nóesin], and therefore gave her the name Etheonoe; which, however, either he or his successors have altered into what they thought a nicer form, and called her Athena.Thus, Plato believed that Athena's name was derived from Greek Ἀθεονόα, Atheonóa—which the later Greeks rationalised as from the deity's (θεός, theós) mind (νοῦς, noũs).
The second-century AD orator Aelius Aristides attempted to derive natural symbols from the etymological roots of Athena's names to be aether, air, earth, and moon.
[26][27] The cult of Athena may have also been influenced by those of Near Eastern warrior goddesses such as the East Semitic Ishtar and the Ugaritic Anat,[9] both of whom were often portrayed bearing arms.
[f] Based on these similarities, the Sinologist Martin Bernal created the "Black Athena" hypothesis, which claimed that Neith was brought to Greece from Egypt, along with "an enormous number of features of civilization and culture in the third and second millennia".
[41] The Greek geographer Pausanias mentions in his Guide to Greece that the temple of Athena Chalinitis ("the bridler")[42] in Corinth was located near the tomb of Medea's children.
The word aíthyia (αἴθυια) signifies a "diver", also some diving bird species (possibly the shearwater) and figuratively, a "ship", so the name must reference Athena teaching the art of shipbuilding or navigation.
[47][48] The Greek biographer Plutarch describes Pericles's dedication of a statue to her as Athena Hygieia (Ὑγίεια, "Health") after she inspired, in a dream, his successful treatment of a man injured during the construction of the gateway to the Acropolis.
[62] Although Agamemnon attempted to placate her anger with sacrifices, Athena sent a storm at Cape Kaphereos to destroy almost the entire Greek fleet and scatter all of the surviving ships across the Aegean.
[74] Michael Janda has connected the myth of Trita to the scene in the Iliad in which the "three brothers" Zeus, Poseidon, and Hades divide the world between them, receiving the "broad sky", the sea, and the underworld respectively.
[93] According to Karl Kerényi, a scholar of Greek mythology, the name Parthenos is not merely an observation of Athena's virginity, but also a recognition of her role as enforcer of rules of sexual modesty and ritual mystery.
[93] Kerényi's study and theory of Athena explains her virginal epithet as a result of her relationship to her father Zeus and a vital, cohesive piece of her character throughout the ages.
Marinus of Neapolis reports that when Christians removed the statue of the goddess from the Parthenon, a beautiful woman appeared in a dream to Proclus, a devotee of Athena, and announced that the "Athenian Lady" wished to dwell with him.
Her half-brother Apollo, however, angered and spiteful at the practitioners of an art rival to his own, complained to their father Zeus about it, with the pretext that many people took to casting pebbles, but few actually were true prophets.
[109][110][111] The earliest mention is in Book V of the Iliad, when Ares accuses Zeus of being biased in favor of Athena because "autos egeinao" (literally "you fathered her", but probably intended as "you gave birth to her").
In the version recounted by Hesiod in his Theogony, Zeus married the goddess Metis, who is described as the "wisest among gods and mortal men", and engaged in sexual intercourse with her.
[120][113][116] He was in such pain that he ordered someone (either Prometheus, Hephaestus, Hermes, Ares, or Palaemon, depending on the sources examined) to cleave his head open with the labrys, the double-headed Minoan axe.
[90][133] Robert Graves was of the opinion that "Poseidon's attempts to take possession of certain cities are political myths",[132] which reflect the conflict between matriarchal and patriarchal religions.
[137] The geographer Pausanias[127] records that Athena placed the infant Erichthonius into a small chest[139] (cista), which she entrusted to the care of the three daughters of Cecrops: Herse, Pandrosos, and Aglauros of Athens.
[140] In Pausanias's story, the two sisters were driven mad by the sight of the chest's contents and hurled themselves off the Acropolis, dying instantly,[141] but an Attic vase painting shows them being chased by the serpent off the edge of the cliff instead.
[134] Another version of the myth of the Athenian maidens is told in Metamorphoses by the Roman poet Ovid (43 BC – 17 AD); in this late variant Hermes falls in love with Herse.
Her guiding actions reinforce her role as the "protectress of heroes", or, as mythologian Walter Friedrich Otto dubbed her, the "goddess of nearness", due to her mentoring and motherly probing.
[181] In his Twelfth Pythian Ode, Pindar recounts the story of how Athena invented the aulos, a kind of flute, in imitation of the lamentations of Medusa's sisters, the Gorgons, after she was beheaded by the hero Perseus.
[182] Later, this version of the story became accepted as canonical[182] and the Athenian sculptor Myron created a group of bronze sculptures based on it, which was installed before the western front of the Parthenon in around 440 BC.
[182] A myth told by the early third-century BC Hellenistic poet Callimachus in his Hymn 5 begins with Athena bathing in a spring on Mount Helicon at midday with one of her favorite companions, the nymph Chariclo.
[191] According to Ovid, Arachne (whose name means spider in ancient Greek[192]) was the daughter of a famous dyer in Tyrian purple in Hypaipa of Lydia, and a weaving student of Athena.
[195][194][196] In a rarer version, surviving in the scholia of an unnamed scholiast on Nicander, whose works heavily influenced Ovid, Arachne is placed in Attica instead and has a brother named Phalanx.
[198] The myth of the Judgement of Paris is mentioned briefly in the Iliad,[199] but is described in depth in an epitome of the Cypria, a lost poem of the Epic Cycle,[200] which records that all the gods and goddesses as well as various mortals were invited to the marriage of Peleus and Thetis (the eventual parents of Achilles).
[211] Athena Polias is also represented in a Neo-Attic relief now held in the Virginia Museum of Fine Arts,[214] which depicts her holding an owl in her hand[i] and wearing her characteristic Corinthian helmet while resting her shield against a nearby herma.
[237] In contemporary Wicca, Athena is venerated as an aspect of the Goddess[238] and some Wiccans believe that she may bestow the "Owl Gift" ("the ability to write and communicate clearly") upon her worshippers.