Space Age design also had a more vernacular character, appearing in accessible forms that quickly became familiar to mainstream consumers.
Since the end of the 1970s, Space Age design has become more closely associated with kitsch and with Googie architecture for popular commercial buildings such as diners, bowling alleys, and shops, though the finest examples of its kind have remained desirable and highly collectible.
Pierre Cardin established the futuristic trend of using synthetic and industrial materials in fashion, with "forward thinking" innovations in his early 1960s work.
Cardin "popularized the use of everyday materials for fashion items, like vinyl and metal rings for dresses, carpentry nails for brooches, and common decorative effects such as geometric cut-outs, appliqués, large pockets, helmets and oversized buttons".
[6] In 1964, Cardin launched his "space age" line, and André Courrèges showed his "Moon Girl" collection, introducing the white go-go boot style and other icons of the 1960s.
[9] The dingbat apartment house, ubiquitous in the Los Angeles, California area, was built between 1945 through the 1960s, and fused a purist style with googie influence.
The spherical and rounded motifs in tables, chairs, lamps, doors, and countless others were derived from the atom, continuing to establish its place as an icon for the technological advancements of the time.
White became the dominant color in the Atomic Age home, intensifying the room's brightness and highlighting the sculptural furniture.