The film follows him and members of his church as they go through preproduction and fly to Alberobello, Italy, for initial shooting that turns out to be marred with difficulties.

After returning home, Gazowsky manages to arrange a lease of the Treasure Island film studio, but as their promised financing from German investors never materializes, they get evicted and eventually sued by the city of San Francisco for not paying their rent.

James Rocchi of Cinematical called the film "a fascinating documentary -- unblinking but not inhuman, sympathetic but never afraid to ask questions", and described Richard Gazowsky, the film's blustery yet relatable protagonist, as "a natural showman", stating that while "It's easy to see a sprinkling of Ed Wood-style mania in Gazowsky...he's also in service of a higher idea.

"[1] In the Austin American-Statesman, Chris Garcia agreed, describing Gazowsky as "a sanguine if irresponsible Quixote who enlists our goodwill" while also lauding director Michael Jacobs' treatment of his subject as "ceaselessly engaging, scrupulously nonjudgmental".

"[3] Critic Ronnie Scheib of Variety praised the documentary's intimacy, the way that Jacobs "sticks close to his subjects, eschewing disdainful distance from their cinematic pipe dreams" and the Village Voice's J. Hoberman noted that the film was a "festival favorite throughout the US".